It’s a straight-up reggae song with Spanish lyrics thrown on top of it and it became a hit in the States in the early ’90s. To make “Tu Pun Pun,” El General collaborated with producer Michael Ellis and the track exemplifies the pared-down sampling style of early New York hip-hop and Jamaican dancehall DJs. Franco built his career when he moved to New York to study business admin in the ’80s.
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He is known as a father of Reggae en Español and came up as part of a Panamanian plena group called Parliament Pacific Stars alongside fellow originator Hector Tuñón (aka Renato). Marshall posits that the first iteration of reggaeton, known specifically as “reggae en Español,” emerged from the dissemination of reggae and dancehall “riddims” by migrant workers who came from Jamaica to Panama to work on the Canal.Īn example of this particular cultural exchange worth spotlighting here is “Tu Pun Pun” (also known as “Tu Pum Pum”), released by Panamanian plena artist named Edgardo Franco who went by the moniker El General. Wayne Marshall helps us trace its roots back to ’70s Panama in a lecture he gave at Berklee College Of Music in 2015 titled “ The Roots Of Reggaeton.” Dr. Reggaeton is widely understood to have come from Puerto Rico, but ethnomusicologist Dr. Latinxs make up 18.1% of the general population of the United States, so wouldn’t it make sense for this widely produced and consumed genre of Latin music to be reflected in the charts? Surprisingly enough, it is only very recently that reggaeton (albeit in its more pop and hip-hop articulations) has crossed the vast river of acceptance into certified A1 pop territory. Up until recently, reggaeton was a genre of music largely ignored by ethnomusicologists and pop charts alike - deemed too formulaic and vulgar for ethnomusicologists, and too brown and “other” for pop charts. If you didn’t grow up in a place rich in Latinx culture, then your introduction to the world of reggaeton might’ve begun with artists who have penetrated the American mainstream like Daddy Yankee, Don Omar, and Luis Fonsi. When I heard reggaeton for the first time as a middle schooler, the game was over your girl was turned out, a captive of the infectious dembow beats and suave sex lyrics. If rancheras and boleros were my folk music, then reggaeton was definitely my pop. While the Bay Area remains a hub for Central and South American Latinx art and music, its cultural landscape is also permeated by the extremely rich musical practices of the Caribbean, especially salsa and reggaeton. Now, I work as a Latin Music Analyst for Pandora Radio, where my job is to listen to and classify genres of Latin pop. I was seven years old and learning to play traditional Mexican and Colombian music alongside my family, which opened my world to the diverse soundscapes of Latin America. Once we were old enough to hold instruments, my sister and I expressed some reticence about performing with our parents, but due in part to the closeness of the Mexican family unit and the allure of high-paying, fun gigs, we caved and formed our family band, La Familia Peña-Govea.
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I was born in San Francisco, CA to two Chicano musicians who connected over their complete obsession with playing and studying music.